Monday, August 30, 2010

16 New Jersey swamp white oaks planted at the 9/11 Memorial Plaza

Source: Wiki Commons / Bruce Marlin.  A 40-year old Quercus bicolor at the Morton Arboretum.
Over the weekend, 16 swamp white oaks (Quercus bicolor) arrived at the 9/11 Memorial Plaza site.  This morning, the trees were planted and by the time the memorial is completed, a total of 400 of trees will have been planted.  The swamp white oaks were grown at a nursery in Millstone, New Jersey.  One of the criteria for tree selection was that the trees come from a local source, according Ula Ilnytzky of the Associated Press.  Environmental Design, a tree transplanting and preservation company in Houston, has responsibility for the plaza's trees.  The plaza was designed by Peter Walker Partners and Landscape Architecture and Michael Arad of Handel Architects.

Of the trees, 9/11 Memorial Chairman Mayor Michael R. Bloomberg said
"The planting of the first trees on the Memorial marks a special moment in the rebuilding of the World Trade Center. Over this next year, the trees will continue to be planted in stages as sections of the Memorial Plaza are completed. The Memorial grove consisting of approximately 400 trees will symbolize hope and renewal, and create a vital new green space in the heart of Lower Manhattan."
And 9/11 Memorial President Joe Daniels said,
"These are the first of hundreds of trees that will grace the Memorial’s landscape as a symbol of rebirth at the World Trade Center site. The trees will create a space of reflection, and remembrance apart from the sights and sounds of the City."
[Source: The MEMO Blog]

The swamp white oak, in an optimal setting ("better drained lowland soils"), is "relatively long lived--up to 300 years or more" and can achieve heights of 60 to 75 feet and diameters at breast height of 24 to 36 inches.  Plotnik wrote that Quercus bicolor "transplants willingly and puts out fine yellow and red autumn foliage."  Also, some of the swamp white oak's lobes can be pointed, which is "rare" among white oaks; white oaks typically have rounded leaf lobes.

Sunday, August 29, 2010

Israel's water meter drone goes abroad

Arad Metering Technologies of Israel has developed a battery-operated aerial drone-meter to monitor "how much water has been consumed, how much water was lost, and even where tampering may have taken place," reports Fast Company.

Image source: Wiki Commons
Arad has realized that water loss is a significant issue beyond arid nations like Israel; it plagues even water-abundant countries. So it has focused on the biggest ones. Its largest cluster of clients is in the United Sates, and its next four biggest markets are now Brazil, China, India, and Russia--a quartet of emerging powers that suggests the size of both the problem and Arad's ambition.
Read the full Fast Company article.

Tuesday, August 24, 2010

Hug a tree

Hug a tree, or leave a comment on our recent tree-related posts:

Tree Walk Montreal

Rise, Fall, and Rise of New Haven’s Elms

Ran Morin's suspended and pendulum trees

Bee trees

Tree Walk Montreal

Instead of a wholly traditional tree tour, we present several tree spaces we observed while visiting Montreal.  First, we enjoyed the street tree gardens in downtown Montreal. 

The gardens are installed on top of the existing soil (instead of mounding soil to create new planting areas).  Wire baskets are lined with hay and filled with soil.  The baskets (a pair or four) are placed around, not against, the trunk and attached to each other with plastic ties.  The gardens might be in response to the City's recommendation to "plant vegetation at the base of trees to help keep the soil moist."


We also liked that the trunks of small trees were protected from bicycle chains by installing plastic tubing around the trunks.  On its Nature in the city Web page, the City of Montreal urges residents to "avoid hanging bicycles or other objects from trees, or nailing into or otherwise damaging the bark.

On our way to the Plateau neighborhood, we walked by this stepped plaza on the UQAM's campus (Universite du Quebec a Montreal)on Rue Sherbrooke Ouest.

We also strolled though the McGill University campus with Bronwyn Chester's "A Leafy Legacy: The Trees of McGill University."  Unable to attend Bronwyn's guided tour of Parc du Mont-Royal, we purchased her guide at the university book store and walked by several trees including no. 50 - English hawthorn (Tour II) which can be seen in the photographs below

English hawthorn

Hawthorn leaf



Hawthorn bark
Finally, we noticed colorful bird houses installed in street and park trees. It is unclear if the bird houses are art or habitat (we have not found any information online).  The one below is located at Place du Canada on Boulevard Rene Levesque.

Monday, August 23, 2010

Rise, Fall, and Rise of New Haven’s Elms

Temple Street, New Haven.  Source: NYPL Digital Gallery
     New Haven was one of the first towns in the American colonies to civilize Ulmus americana.  The first native elm was planted inside the city limits in 1685, and many more were added over the years, especially during the "Great Planting" of 1786-1800.  Dickens thought the trees brought about "a kind of compromise between town and country; as if each had met the other half-way, and shaken hands upon it; which is at once novel and pleasant." An Ohio minister visiting New Haven said simply, "I call it New Haven."
     That urban Eden did not last.  In the twentieth century New Haven's elms suffered a series of natural and manmade assaults that brought them down by the thousands.
-- excerpted from "The Elm City, then and now: Photos of the rise, fall, and rise of New Haven's signature tree" by Bruce Fellman in the Yale Alumni Magazine, September/October 2006.  (The issue is archived here but the article cannot be accessed on the magazine's website.)

The "natural and manmade assault" include two elm-leaf beetle infestation, infrastructure upgrades, and two waves of Dutch elm disease.  For the seminal history of the American elm in New England, read Thomas J. Campanella's Republic of Shade: New England and the American Elm (2003).  For a broader history of city trees both spatially and temporally, read Henry W. Lawrence's City Trees: A Historical Geography from the Renaissance through the Nineteenth Century (2006).

Thursday, August 19, 2010

Ran Morin's suspended and pendulum trees

Acacia Pendulum, Eliat. Source: Ran Morin, ranmorin.com
Accustomed to seeing trees grounded, I was intrigued by Ran Morin's suspended trees featured on the myurbanist blog.  I contacted Mr. Morin seeking permission to use his images on this blog and asking him about his sculptures.  I wanted to know what inspired him to create suspended tree art and why he chose the species he did (orange, acacia, etc.).  I assumed the species selection spoke to the locale in which the sculpture was installed.  I also asked why he selected the sites he did and what he hoped viewers of his work would know/ learn/ see/ think about.  In the case of the latter, I assumed there would be as many interpretations of his work as there were viewers. 

I think it's quite brilliant that one can view the whole tree (though the roots on view are a fraction of what one would find if the tree were growing in the ground); so often, a tree's underground life is overlooked.  Roots and tree health are the subject of the Landscape Below Ground conference proceedings and a recently discovered book (on my wish list) titled Up By Roots: Healthy Soils and Trees in the Built Environment by James Urban (2008).

    Without further ado, here are Mr. Morin's responses to my questions.

    WHY is an interesting question I often ask myself – although visual art has a quality which defies verbal explanation.  Moreover Public art- once placed-receives interpretation from the public which is often more instructive than the artist's intentions.  All this being said, and since my work is clearly in the conceptual line – I'll try to answer your questions.

    The living sculptures I create, live much as we do – natural beings in artificial conditions.  Just as we today require a complex technical infrastructure to maintain us, the trees I use need a careful maintenance system which allows their existence in the 'unnatural' conditions for many years.

    Suspended Orange Tree, Jaffa. Source: Ran Morin, ranmorin.com

    The species I choose are closely connected to their environmental and symbolic character.  For instance, the orange tree in Jaffa (which has surprisingly become a tourist attraction with tens of thousands visitors every year), has raised controversy in the press for being the 'last orange in Jaffa'. "Jaffa Orange" was a famous Palestinian trademark in the 19 century, later adopted by the Zionist movement – thus placing a suspended orange tree in Jaffa can be interpreted as a symbolic act related not only to the Natural-artificial conflict, but also to the memory of the political conflict in a city which lost most of its Palestinian population in 1948…
    But the suspended orange tree is also great fun for kids and has a freshness which defies all these explanations.

    So you see – just one example of the conceptual process of 'localization' (contrary to 'globalization') which my sculptures attempt.
    In quest of the 'Genius Loci' - the ancient spirit of the place – I try to create something new, which will grow into our unclear future.
    In spontaneous natural settings, trees often grow in groups, not as specimens. In addition to singular tree sculptures, Mr. Morin has created tree gardens. Here is the Suspended Garden of Poinciana trees at the Tel-Aviv Museum.

    Courtesy of Ran Morin, ranmorin.com
    Though not grounded, Ran Morin's tree works could be considered land art, a genre developed in the U.S. during the 1960s and 1970s.  Mr. Morin's artworks, like the early American land artworks, could be categorized as "ephemeral" (how long will a suspended tree live?).  Later land art installations have survived, so to speak.  Consider Robert Smithson's Spiral Jetty. The famous earthwork, visible in 1970, was submerged for thirty years, reappearing in 2004, the result of a drought at Great Salt Lake, Utah. Proposed mineral extraction in the area, preservationists have argued, will irreparably alter the earthwork. For New Yorkers, a land artwork closer afield, intact, and preserved (it is on city-owned land) is Time Landscape by Alan Sonfist, a 25' x 40' recreation of Manhattan forest in the early 17th century.

    Related post:
    Greenspaces in New York

    Tuesday, August 17, 2010

    Bee trees

    Local ecologist's parent website - the local ecology project - promotes landscapes designed to produce ecosystem services, one of which is wildlife habitat and forage.  We were thrilled to read Jim McCausland's article about nectar trees for honey bees!  The article was originally published on the Sunset Fresh Dirt blog. All photos courtesy of Jim McCausland.


    In response to our blog listing Nectar Plants for Honey Bees, Jim Fischer of The Gotham City Honey Co-Op commented that we should “Consider simply planting a tree that flowers. One Linden tree or Tulip Poplar tree will provide more nectar than a half-acre of the plants listed above.”

    Though space for more trees is at a premium in most gardens, his point is well taken, and I promised to follow up with the following list of trees that honey bees forage for nectar and pollen. Such lists vary hugely from region to region, and while this list reflects my experience in the Pacific Northwest, I’ve included many trees that are widely adaptable.

    Because honey bees don’t fly at temperatures much under 55° F, I start my list in February (the first month in my area whose daytime temperatures regularly rise into the 50s) and end it in November, when daytime temps drop from the 50's into the 40's. Where you live, flowering times may vary, but the order will be the same.


    This list is heavy with spring-flowering trees for two reasons. First, because that's when most trees flower. Second, Fischer told me that the nectar of spring-flowering trees has generally higher sugar content than that of summer-flowering trees to attract pollinators. That lets bees fill the hive with honey early.

    February
    Plum Autumn-flowering cherry (Prunus x subhirtella ‘Autumnalis’)
    Japanese flowering apricot (Prunus mume)
    Pussy willows (Salix species)

    March
    Apricot (Prunus armeniaca)
    Asian pear (Pyrus pyrifolia)
    Callery pear (Pyrus calleryana)
    Cornelian cherry (Cornus mas)
    European pear (Pyrus communis)
    Flowering cherries (mostly Prunus x subhirtella, Prunus x yedoensis, and Prunus sargentiana varieties)
    Flowering plums (mostly Prunus blireiana and Prunus cerasifera varieties)
    Pears (Pyrus communis)
    Plums (Prunus domestica)
    Pussy willows (Salix species)
    Saucer magnolia (Magnolia soulangiana)
    Star magnolia (Magnolia stellata)

    April
    Apple (Malus pumila)
    Asian pear (Pryus pyrifolia)
    Crabapple (Malus)
    Eastern dogwood (Cornus florida)
    Empress tree (Paulownia tomentosa)
    English laurel (Prunus laurocerasus)
    Flowering cherries (mostly Prunus serrulata varieties)
    Flowering plums (mostly Prunus cerasifera varieties)
    Goldenchain tree (Laburnum x watereri)
    Hawthorn (Crataegus)
    *Horse chestnut (Aesculus hippocastanum)
    Peach (Prunus persica)
    Plum (Prunus domestica)
    Saucer magnolia (Magnolia soulangiana)
    Star magnolia (Magnolia stellata)
    Sweet bay (Laurus nobilis)

    May
    Eastern dogwood Black locust (Robinia pseudoacacia)
    Carolina silverbell (Halesia carolina)
    Crabapple (Malus hybrids)
    Dove tree (Davidia involucrata)
    Eastern dogwood (Cornus florida)
    Empress tree (Paulownia tomentosa)
    European mountain ash (Sorbus aucuparia)
    Japanese stewartia (Stewartia pseudocamellia)
    Goldenchain tree (Laburnum x watereri)
    Hawthorn (Crataegus)
    Korean dogwood (Cornus kousa)
    Red horsechestnut (Aesculus x carnea)
    Spindle tree (Euonymus europaeus)

    June
    Black locust (Robinia pseudoacacia)
    Catalpa (Catalpa speciosa)
    Japanese snowdrop tree (Styrax japonicus)
    Japanese stewartia (Stewartia pseudocamellia)
    Korean dogwood (Cornus kousa)
    Locust (Robinia x ambigua)
    Privet (Ligustrum)
    Tulip tree, aka tulip poplar (Liriodendron tulipifera)

    July
    Common catalpa (Catalpa bignonioides)
    Littleleaf linden (Tilia cordata)
    Sourwood (Oxydendrum arboreum)
    Tree of heaven (Ailanthus altissima)

    August
    Chaste tree (Vitex agnus-castus)
    Silk tree or mimosa (Albizia julibrissin)
    Southern magnolia (Magnolia grandiflora)

    September
    Chaste tree (Vitex agnus-castus)

    October
    Strawberry tree (Arbutus unedo)

    November
    Autumn-flowering cherry (Prunus x subhirtella ‘Autumnalis’)
    Strawberry tree (Arbutus unedo)


    Sunset.com has published a huge number of items about bees in its One-block-diet blog and in the magazine itself. For more information about how to grow the plants in this post, go to Sunset's Plant Finder.

    *Californica buckeye (Aesculus californica) pollen produces fatal mutations in honey bees. Some fear that horse chestnut (Aesculus hippocastanum) might do the same because it's a cousin of the buckeye.

    Jim McCausland is a Sunset contributing editor and reports on gardens and travel in the Pacific Northwest from his home office in western Washington.

    Monday, August 16, 2010

    Superego Hits the Roof: How We Got Cool

    Cool roofs don't have to be green.  Julie Ardery's new roof came in silver -- Silver Birch.  Julie notes that "Silver Sycamore" might be a more appropriate color for her region of Texas.  All images courtesy of Julie Ardery.

    July was rainy this year – a miracle in Central Texas. But gratitude soured when we noticed a discolored spot on the bedroom ceiling. It was right below where, eleven years ago, we’d had a fellow named Ken make a funky notch in the roof line – rather than chop off a huge live oak limb that overhangs the house.

    The house is old. The roof looked old when we moved in, October 1999. The little ringworm spot on the ceiling was looking monumental.

    A roofer checked things out,descending the ladder with an air of finality. We needed a new roof. After getting his five-figure bid, we got a second opinion. (Or couldn’t we just wish it all away?) Our second man concurred, and was willing to take on the job for a little bit less.

    Plus, he informed us about a new kind of shingle that qualifies for a federal rebate. This would be an energy-saving “cool roof,” (nobody pays attention to anything in this town unless it’s “cool”). Like all arid Austin, we were interested in a metal roof and rainwater collection, but metal’s really expensive, as in really MORE expensive than what we would be shelling out anyway.

    Until recently, only certain metal roofs and specially solar-treated (as in “pricey”) shingles had qualified for the rebate, but this rooferhad learned about a conventional asphalt shingle that the feds would allow, rebating 30% of the cost of materials, up to $1500.

    The one available in our region was Certainteed’s “Silver Birch,” its light color being much more reflective than the very standard gray-brown we had. Turns out the color of our old roof was “Weathered Wood” – and how it popped our pride to hear the salesman at the local roofing warehouse say, “Yeah, that’s what all the new builders in town always use.”

    A dark but muted shade, compatible with our cream-colored house, mauvy trim, and, most importantly, the live oak trunks and limbs (thus the name), “Weathered Wood” just seemed right. In fact, we discovered that we were strangely wedded to ”Weathered Wood” -- as, it turns out, most everybody else seems to be.

    We asked our roof man Thomas, aka “TAG,” if a lot of people had availed themselves of a “cool” roof and the rebate. “Not really,” he said. Even his own dad recently had a new roof put on and insisted on a dark one, though they absorb lots more heat and so ratchet up summer utility bills.Like the widows of Crete, most of us, when it comes to our roofs, have a deep-seated commitment to dark colors, even in a blazing hot climate. Dark roofs look, just…well, like roofs should look!

    A Berkeley research group found that “switching to a white roof can actually reduce energy use by about 20 percent in hot, sunny weather.” (We get a lot of that around here.)

    But what about in colder darker places, where winter heating bills are the killers, not summer air-conditioning? Wouldn’t you Yankees want a nice sun absorbing “Weathered Wood” roof? No, according to this same research outfit. Even up north, “The amount of heat savings you may lose in the winter would be, at the maximum, 30 percent of the summertime savings.”

    U.S. Energy Secretary Steven Chu has been beating the drum for white roofs for awhile now. And his “hero” Art Rosenfeld of the California Energy Commission has been “campaigning for cool roofs since the 1980s,” according to a story in the New York Times. Rosenfeld contends that “turning all of the world’s roofs ‘light’ over the next 20 years could save the equivalent of 24 billion metric tons in carbon dioxide emissions. “‘That is what the whole world emitted last year,” Mr. Rosenfeld said. ‘So, in a sense, it’s like turning off the world for a year.’”

    But Mr. Rosenfeld, you don’t understand – for some primal reason, most of us want dark roofs. Roofs just “ought to be” dark gray, brown, or black. For the same reason most people don’t want green hair or black bathtubs, white roofs just seem, well, wrong!

    We were all ready to forego the energy savings and the rebate until stricken by something more powerful than aesthetics -- peer pressure. Our dear and exemplary neighbor Wendy Todd, rainwater collector, xeriscape planter, park cleaner-upper, and solar panelist, heard we were reroofing and ambivalent about becoming “cool.” She didn’t badger us, just highly recommend that we set an example (it’s a bird, it’s a plane…uh-oh, it’s superego). “And anyway,” she said looking up at the shingle sample we laid under the dormer, “it’ll just disappear.”

    Silver Birch it would be.

    Candido Martinez, a member of Josue Perez's roofing crew

    Last Friday, Josue Perez and his crew arrived early and worked through the 100-degree heat until sundown, accomplishing the impossible. They pulled off three layers of shingles,much of it on a very steep surface, plus the original wooden shakes (also known as firestarter), and put on the new grey-silver topper.

    Roof installation in progress
    We work everyday upstairs in this old house, in what used to be the attic; on summer afternoons it can get intolerable up here, even with ceiling fans whirring, but no longer. We wish we’d had the good sense and mental discipline actually to have taken temperature readings up here before and after installation of the lighter roof. Lacking that, please trust us. It feels much cooler, and we hope next month to have lower electricity bills to confirm that it is.

    And except for the dormer that needs repainting, it looks good too. It turns out we weren’t so much married to “Weathered Wood,” as habituated to it. We like the new roof fine and so do others. Squinting up at the roof line Monday, TAG told us he’s already picked up two more jobs in the neighborhood. He pointed upward: “And they both want that.”

    (For rules and more details on the federal Energy Star rebate program, check here. The roof rebate runs through Dec. 31, 2010.)

    For more on this topic, read MSN's recent 'Cool' roofs - a hot idea article.

    Julie Ardery directs the Human Flower Project and co-edits the Daily Yonder, both under a cool roof in Austin, Texas. 

    Sunday, August 15, 2010

    Garden Bloggers' Bloom Day Montreal

    Photographs from gardens seen in Montreal, our late contribution to May Dreams Gardens August Bloggers' Bloom Day backdated to August 15.

    Jardin Botanique


    Zebra grass and rose mallow
    Montevilla 'Double Pink'

    Carre St. Louis



    Jardin du pre fleuri du monarque (butterfly garden)




    *** *** ***
    front yard in the Village Shaughnessy

    Thursday, August 12, 2010

    Jardin du pre fleuri du monarque and other tweeted photographs

    In an attempt to streamline our operations we will no longer use a service to tweet photos.  We have compiled the photos in question here.

    Flowering chair, Senteir Urbain (Montreal), Jardin du pre fleuri du monarque

    Honeylocusts and lindens on Bleecker Street, Greenwich Village

    Sacramento Urban Heat Islands (at the Sacramento Municipal Utility District HQ)

    Park-goers, Hong Kong (also below)


    Passion fruit (also below)

    Friday, August 6, 2010

    8 farmers markets, 6 U.S. cities

    In celebration of National Farmers Market Week (August 1-7, 2010), here are photographs of several farmers markets we have visited across the country.  Here is what the USDA has to say about farmers markets:
    Farmers markets are an integral part of the urban/farm linkage and have continued to rise in popularity, mostly due to the growing consumer interest in obtaining fresh products directly from the farm. Farmers markets allow consumers to have access to locally grown, farm fresh produce, enables farmers the opportunity to develop a personal relationship with their customers, and cultivate consumer loyalty with the farmers who grows the produce. Direct marketing of farm products through farmers markets continues to be an important sales outlet for agricultural producers nationwide. As of mid-2009, there were 5,274 farmers markets operating throughout the U.S.

    Downtown Berkeley
    Produce purchased at the Derby Street Berkeley Farmers Market (another)
    In Philadelphia (below, too)
    Juicy fruit!
    City Hall, Boston

    Pineapple top, Haymarket, Boston
    Heart of the City Farmers Market, Civic Center, San Francisco
    Union Square Greenmarket, NYC (below, too)
    Winding down -- Temescal (Creek) Farmers Market, Oakland
    Where is your farmers market?